fashion

FLZ Jacqui Daniels Makeup: Lightroom Timelapse

A year ago I did a shoot where I helped my friend Jacqui Daniels Get started on her makeup portfolio with a shoot where she introduced me to Feliz. The shoot was themed to be a very high fashion glam look. It featured a lot of gold and so for the edit I wanted that gold look to shine through so that became a main focus of the editing process. Balancing out colors is always a challenge but what I always find works best for portraiture is to lower the saturation by at least 30 and that counters anything drastic that you do with contrast or the white balance. Other than some basic retouching and softening on the skin all the photos really came together

To check out Jacqui’s makeup go to https://www.facebook.com/makeupbyjacquidaniels/?fref=ts

You can see more photos of Feliz on instagram at https://instagram.com/flzmrtnz

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Desert Mermaid with Mary Jane Monroe

I don’t often consider my photos to be very “High Concept” or even art sometimes. In fact i have to tell models I work with all the time that I am terrible with coming up with ideas and concepts. I sometimes even have a hard time calling my artist because of this. I get around this by thinking of myself as more of an improve artist making things up as I go along instead of having a ton of prep time behind something. Lucky for me the recent shoot I did with Mary Jane Monroe had the high concept feel to it because of her own ideas all I really had to do was shoot. One thing that I differently in this shoot was try to implement scenery a bit more in the shots which is something that I  need to work on but came out quite well in the finished product.

 

Shooting Promotional Images for Fatally Feminine Designs

Commercial fashion photography requires a great amount of collaboration. Designers, makeup/hair artists, models, and Photographers are all bringing there own creative vision to the table and being able to make sure all of those things match up on every level. Some times this is incredibly easy other times it can be a like pulling teeth. But over all it can be an incredibly rewarding experience. These shots that I did for Fatally Feminine Designs   were the algamation of Joy (Model) Aubrey Roybal (Designer) Emilie Norris (Make Up) and myself and over all you can’t help but appreciate the results.

 

Shooting with New Models: Ashley Perry.

AJA_0072More often than not people always tell you that it’s all about networking when it comes to getting jobs and people finding your work and that’s exactly what happened this weekend when I helped Ashley Perry start her modeling portfolio.

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Ashley was referred to me by someone I did a shoot with a month prior and since she just got into a modeling agency, she needed to get some portfolio images put together. All the photographers her agency refereed her to were very expensive so I cut her a deal.

AJA_0066Working with a new model is always an interesting experience and you never quite know what to expect. Sometimes they can be a bit timid or shy especially around the camera. However, Ashley didn’t have any of these problems; she was very comfortable around the camera, was able to give me different looks and took direction extremely well.

AJA_0031One of the biggest factors in any shoot is the weather during the shoot. The photography gods very gracious in giving light overcast, no wind and moderately warm temperatures giving me everything I needed to just do my thing and shoot. There was one point where the sun was piercing through that clouds but it was at golden hour making for some excellent light.

AJA_0113For this shoot I relied heavily on my 85mm 1.8g lens for most of the shots. I played around with using the 28mm and the 50mm but everything always comes back to my work horse lens. I shot exclusively at f2.8 making sure I got enough sharpness and detail out of Ashley while still getting nice Bokeh (blur) in the background.

AJA_0033As far as post processing goes I kept things very simple. I tried to bring in as much contrast and color as I could while still keeping things natural. I ran in to some issues with Ashley’s tan skin but I normally get around that by bringing in some vibrancy but pulling down the saturation. Other than that I did some spot correcting, but nothing super drastic. When I edit my portraits I try to keep things subtle while at the same time making things pop.

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Over all it was an extremely fun shoot and I’m looking forward to working with Ashley in the future.